Find the right Live Music & Performers for your wedding, within your budget
Demo profiles — examples of what a GigSona listing looks like
Live music is what people remember from a baraat. A recording through a speaker is not the same thing as a dhol two feet away from you, and everyone in the street knows the difference.
This category covers a lot of ground — dhol, shehnai, sitar and tabla for a ceremony, a band or singer for the sangeet, dancers and choreographers. Most couples book more than one, for different moments.
One dholi is enough for a small baraat. For a big procession, two or three sound dramatically better, and the price scales roughly with the number of players.
Baraats run long — they are supposed to. Agree the duration up front, because a dhol booking is usually priced by the hour and a procession that takes ninety minutes instead of forty-five is a different booking.
Dhol needs no amplification. Almost everything else does, and a parking lot has nowhere to plug in. Ask whether the performer brings a battery-powered system or whether that is on you.
Municipal noise rules and hall curfews apply to a baraat the same as to a reception. Your is often the one carrying the portable sound, so if you are booking both, tell each about the other.
Shehnai, nadaswaram and thavil, sitar, tabla, a violinist for the varmala — these are quiet, precise performances timed to ritual moments, not background sets.
Give the musician the running order and tell them which moment matters. A player who knows the laavan or the pheras are coming can time their playing to it. One who does not will play through it.
Sangeet often means several things at once: a singer or band, choreographed family performances, and a dance floor afterwards. Those are separate bookings with separate rehearsal needs.
If family members are performing, a choreographer usually needs weeks with them, not days. Book that far earlier than feels necessary.
Dhol is priced per appearance, which is why it looks small next to everything else on a wedding invoice — and why couples routinely book too few appearances rather than too many. Bands and dance productions are a different order of cost entirely.
The number moves with how many performers, how long they play, and how far they travel. Travel matters more here than in most categories — musicians carry equipment, and a two-hour drive each way is real cost.
Dhol is priced per appearance, so the number of moments you want it matters more than the length of the day.
Figures describe the Greater Toronto Area, 2026. GigSona — figures from vendors across the Greater Toronto Area, 2026. What a vendor actually quotes you depends on the type of event, how big it is, and exactly what you need — treat these as a starting point for a conversation, not a price list.
Good dholis are booked out on peak summer weekends, and there are fewer of them than there are DJs. Twelve months is not early. If your date is in wedding season, treat this as one of the first bookings rather than a detail to sort out later.
A single appearance is the cheapest high-impact booking at most South Asian weddings — see the figures on this page. Because it is priced per appearance, the number of moments you want it matters far more than how long the day runs.
Yes, with amplification and power. A dhol carries on its own; a sitar, singer or string group does not, and needs a small PA. Confirm who supplies it and whether the location has power, because an unamplified set outdoors is heard by the first two rows.
Nine to twelve months for a peak-season Saturday, and earlier for a specific dhol group or named singer. There are far fewer of them than there are DJs, and this is routinely the booking couples discover has gone.